黑白线条风景画配金色太阳
六年级课堂上，我们开展了一项关于美术基本元素之一——“线条”的工作坊。我们的目标是仅用黑色平行线，将一幅简单的风景画转化为富有动感的构图。这项活动提升了我们的图形感知力、对比度与空间深度的掌控能力，同时也为我们提供了探索多种绘画材料的机会。这一创意源自美国宾夕法尼亚州教师斯蒂芬妮·维利奥蒂斯（Stephanie Villiotis）：您可通过以下链接访问她的网站。
所需材料：
- 绘图纸
- 尺子与铅笔（用于绘制边框）
- 橡皮
- 绘制黑色线条的工具
- 粗头永久性黑色记号笔
- 细头黑色记号笔
- 黑色钢笔
- 黑色铅笔
- 固体胶棒
- 小片金箔（如巧克力包装所用金箔）
制作步骤
首先，我们用尺子沿纸张四边绘制一条宽3厘米的边框，作为画面基底。接着，我们勾勒出风景草图（山景或海景），并从前景至天空，将画面划分为七至八个纵深层次。
待构图满意后，我们用粗头黑色记号笔清晰勾勒出所有风景层次的轮廓线，使其醒目突出。这层粗线有助于明确区分后续需填充的各个区域。
创作的核心在于填充各区域。我们在每一层次内绘制极为紧密的平行线。为营造线条的律动感与空间纵深感，我们交替使用不同工具：细头记号笔、圆珠笔与石墨铅笔。这些不同粗细线条的交替运用，形成鲜明对比，使画面充满活力。
我们特别注意贴合风景的轮廓线作画，例如沿山丘起伏走势绘制弯曲的平行线。这些自由而紧密排列的平行线，赋予画面表面以动感，并模拟出某种三维立体效果。
最后，我们装饰外侧边框，在其中填入由黑色平行线构成的简洁图案。随后添加视觉焦点：绘制一个太阳或月亮，并小心地用金箔将其完全覆盖。这抹金色光芒，恰与浓重的黑色线条形成完美对比。
以下是我们的黑白线条风景画，配以明亮的金色太阳：
Black and White lines Landscape with Gold Sun
With the sixth-grade classes, we held a workshop on one of the fundamental elements of art: the line. Our goal was to transform a simple landscape into a dynamic composition, using only black parallel lines. This activity enhanced our graphic sensibility, our ability to manage contrast and spatial depth, while also offering us a way to explore a variety of materials. The idea came from Stephanie Villiotis, an American colleague from Pennsylvania: you can find her website at this link.
Materials:
- Drawing sheet
- ruler and pencil for the frame
- rubber
- tools for black lines
- thick-tipped permanent black marker
- black marker thin-tipped
- black pen
- black pencil
- stick-glue
- small piece of gold foil (like the one used for chocolate)
Our Procedure
To begin, we prepared the base by drawing a 3 cm frame along all edges of the paper, using a ruler. Next, we sketched out our landscape (mountain or seascape), dividing it into seven or eight levels of depth, from the foreground to the sky.
Once we were satisfied with the composition, we used the thick-tipped black marker to outline all the landscape layers, making them clear and visible. This thick layer serves to clearly separate the areas we will fill.
The heart of the work was filling the spaces. Within each layer, we drew very close parallel lines. To create the vibration of the lines and the sense of depth, we used different tools: a thin marker, a ballpoint pen, and a graphite pencil. The alternation of these thicknesses creates contrast and makes the drawing vibrant.
We paid attention to following the landscape’s contours, for example, by drawing the curved lines that ascend the hills. The parallel lines, drawn freely but very close together, give a sense of movement to the surface and simulate a certain three-dimensionality.
Finally, we decorated the outer frame, filling it with simple patterns made of black parallel lines. Then we added a focal point: we drew a sun or moon and carefully covered it with gold foil. This touch of golden light is the perfect contrast to the intensity of the black lines.
Here are our line landscapes in black and white with a bright golden sun:
