印象派绘画技法

我们与八年级学生一起，用蛋彩颜料临摹了伟大印象派画家克劳德·莫奈的画作。我们模仿他的技法：将细小的笔触并置排列，直接在纸上铺展纯净色彩，不绘制精细的底稿，也避免使用黑色。

首先，我们挑选了几幅莫奈的作品，每位学生选出自己最喜欢的一幅，在一张纸上勾勒出画面的主要轮廓线，以便临摹时作为参照。随后，我们为简化草图中划分出的不同区域（例如天空、大海、悬崖）涂上相应的背景色。

完成这一初步着色阶段后，我们模仿印象派技法——以细小的色点并置组合，营造出印象派画家所追求的“视觉印象”效果。调色盘的选择与色彩调配至关重要：在这些临摹作品中，不能满足于颜料管中直接挤出的颜色，而必须在动笔前预先调制出丰富多样的色彩与明度层次。风景画完成后，我们将画作剪下，粘贴到一张白纸上，这张纸便充当画框。

这是我们的印象派作品！

The painting technique of the Impressionists

With the 8th grade students we made tempera copies of paintings by Claude Monet, the great Impressionist painter. We imitated his technique made of small brushstrokes placed side by side, spreading pure colors directly onto the paper, without making detailed preparatory drawings and avoiding the use of black.

First we chose some works by Monet, each student chose his favorite and traced the main lines of the drawing on a piece of paper, to have a reference when copying the elements of the painting. Subsequently we gave a background color to the different areas of the image, which we identified in the simplified drawing (for example sky, sea, cliff).

After this first pictorial phase we imitated the impressionist technique made of small touches of color combined, to give the effect of the “visual impression” sought by Impressionist painters. The choice of palette and the mixing of colors is very important: in these copies you cannot be satisfied with the color as it comes out of the tube, but you must prepare a palette rich in colors and shades before starting to paint. When we finished the landscapes, we cut out and glued them onto a sheet of paper which acts as a frame.

Here are our Impressionist works!